The artist with class, the voyager-iconoclast
[contributing writers: Kim Kyoung Wook, Kim Seong Hoon, Kim Chae Hee, Park In Ho, Tadao Sato, Song Kyung Won, Lee Yeon Ho, Jean-michel Frodon, Jung Sung-il, Jeong Ji Hye], [translator: Janice Chung]
Korean Film Archive·2019-09-30
- 229쪽
- 170×200mm
- 예술
- KDC 688.0911
로그인하면 내 서재에 추가할 수 있어요.
책 소개
“Form is art.” This sentence conveys the essence of cinematographer Jung Il-Sung’s film philosophy. Jung’s film form, which he pursued and perfected throughout his life, has rooted in the Korean cinema with its elegant and maverick ways. We would like to refer to him—who has taken Korean filming aesthetics to another level—as The Artist with Class, the Voyager-Iconoclast. Breathtaking visual images and bold, experimental colors showcased in Kim Ki-young’s films in 1970s signaled the appearance of Jung Il-Sung the “expressive auteur.” His camera put the center of gravity on the form and simultaneously presented a balanced image of two different worlds of Yu Hyun-mok’s realism and Kim Soo-yong’s modernism. In 1979 Jung met with Im Kwon-taek to work on Divine Bow. And in 1981 with Mandara, he showcased mise-en-scène and sequence unprecedented in the Korean cinema, marking a new era in Korean aesthetics. The following partnership of Jung and Im opened a new chapter in the history of Korean cinema. Jung Il-Sung has accompanied major directors indelible in the Korean film history, including Kim Soo-yong, Lee Doo-yong and Bae Chang-ho. Discussion on his filming aesthetics is as interesting as essential to understanding the history of Korean cinema.
목차펼치기접기
7 GreetingsJung Il-Sung and his cinematography13 The Life and Films of Jung Il-Sung in Pictures Jeong Ji Hye29 Jung Hoists the Beauty and Pain of the Age into the World of Cinematic Aesthetics Lee Yeon HoJung Il-Sung and Korean Cinema55 The Exceptional Beauty of Form: Auteur on Auteur, Jung Il-Sung vs. Kim Ki-young Park In Ho77 Jung Il-Sung Meets Yu Hyun-mok: Formalism Meets Realism Kim Kyoung Wook93 Jung Il-Sung’s Microcosmos: Jung Il-Sung Meets Kim Soo-yong’s Cinema Kim Chae Hee109 Im Kwon-taek, From 1978 to 2008: from Divine Bow to Beyond the Years Jung Sung IlFriendship and Admiration from Abroad130 Film Critic Tadao Sato Sends a Letter of Friendship to Jung Il-Sung132 Jean-Michel Frodon Sends a Letter of Friendship to Jung Il-SungYoung Cinematographers Talk about Jung Il-Sung140 Cinematography with Impressive Light and Space Kim Hyung Koo144 Precisely Cinematographing the Essentials Kim Woo Hyung148 The Courage that Breaks the Frame Park Hong Yeol152 Everlasting Energy in Pursuit of Good Pictures Pak Jeong HunPartner Directors Talk About Jung Il-Sung158 A Man with a Camera Goes Crazy for Films Lee Doo Yong162 A Miracle Allowed on the Fragile, Sophisticated and Diligent Camera Kim Soo Yong166 A Companion whom I Met Seeking for a Perfect Screen Bae Chang Ho170 Unrivalled Camera, Unrivalled Life Jang Hyun SooInterview177 Breaking and Rebuilding the Aesthetics and Form of Film with a Strong Self-Awareness ofBeing a Film Auteur Lee Yeon Ho220 The Films Jung Il-Sung Loved Jeong Ji Hye224 Life, Achievements and Awards226 Filmography228 Contributors
출처: 국립중앙도서관 서지정보
리뷰 남기기
로그인하면 리뷰를 남길 수 있어요.
리뷰 0개
아직 리뷰가 없어요.