호리이 선생님의 작곡교실

머리말·······································································································································2 이 책의 구성과 사용방법················································································································3 프롤로그┃작곡을 시작하기 전에 PROLOGUE 1 4소절 작곡 드릴에 도전해보자················································································8 알아두면 좋은 포인트 4소절 작곡 드릴은 작곡의 기초 중 기초···············································13 PROLOGUE 2 작곡을 시작하기 전에··························································································14 알아두면 좋은 포인트 코드진행이 이정표가 된다······························································15 PROLOGUE 3 코드진행을 배우자······························································································16 알아두면 좋은 포인트 코드진행은 어디까지나 틀 만들기다···················································18 제1장┃멜로디를 만들자 LESSON 1 명곡의 1소절을 알아보자_어떤 음으로 시작하는가?····················································22 알아두면 좋은 포인트 긴장감과 안정감·········································································23 LESSON 2 멜로디를 만들자_4소절 작곡 드릴 연습문제①···························································24 알아두면 좋은 포인트 시작하는 음이 어떤 음이든 곡은 성립된다············································28 알아두면 좋은 포인트 멜로디에 몸을 맡기는 감각·····························································31 LESSON 3 멜로디를 만들자_4소절 작곡 드릴 연습문제②···························································32 알아두면 좋은 포인트 4소절 작곡 드릴로 작곡의 첫 걸음을 떼자············································36 알아두면 좋은 포인트 동형반복(같은 꼴 반복)·································································38 LESSON 4 리듬에서 멜로디를 찾는다?···················································································39 LESSON 5 리듬에 멜로디를 붙이자·······················································································42 알아두면 좋은 포인트 다양한 1소절째와 만나보자····························································49 LESSON 6 살짝 살펴보는 기초지식_조(키)와 음계(스케일)와 화음(코드)·········································50 LESSON 7 명곡으로 알 수 있는 멜로디를 만드는 방법································································52 알아두면 좋은 포인트 멜로디에 필요한 숨쉬기(브레스)에 대해서············································57 LESSON 8 비트와 멜로디···································································································58 알아두면 좋은 포인트 그루브에 대해서①······································································61 LESSON 9 펜타토닉을 사용한 멜로디 만들기···········································································62 LESSON 10 블루노트를 사용한 멜로디 만들기···········································································64 알아두면 좋은 포인트 블루스의 역사···········································································67 LESSON 11 아우프닥트로 멜로디를 진화시킨다·········································································68 LESSON 12 클래식에서 배우는 멜로디 만들기···········································································74 제2장┃‘코드진행’에 대해서 알아보자 LESSON 1 베이스음이 순차진행(이웃한 음)으로 내려가는 타입····················································78 알아두면 좋은 포인트 코드진행의 방법·········································································81 LESSON 2 베이스음이 순차진행(이웃한 음)으로 올라가는 타입····················································82 LESSON 3 베이스음이 이어지는 타입····················································································85 LESSON 4 베이스음이 도약하는 타입····················································································88 알아두면 좋은 포인트 4카테고리×6종류=24가지의 코드진행···············································91 LESSON 5 후렴구를 위한 Ⅳ도 시작의 다양한 코드진행······························································92 알아두면 좋은 포인트 코드네임 이외에 화음을 부르는 방법··················································95 LESSON 6 차용화음을 사용한 코드진행··················································································96 알아두면 좋은 포인트 차용화음·················································································97 LESSON 7 대리화음을 사용한 코드진행····································································…

출처: 국립중앙도서관 서지정보