Traditional Korean instruments

Announcements Preface Chapter 1. General Introduction to Gugak Ⅰ. Introduction Ⅱ. Context of Newly-Composed Korean Traditional Music Ⅲ. Category of Gugak Ⅳ. Musical Instruments Ⅴ. Aesthetics and Means of Sound Embodiment Chapter 2. Gayageum Ⅰ. Gayageum Types and Use Ⅱ. Basic tuning of the Gayageum Ⅲ. Tuning Changes and Melodic Structure Ⅳ. Gayageum Notation and Pitches Ⅴ. Gayageum Fingering Ⅵ. Use in Practical Music Ⅶ. Instrumental Characteristics of the Gayageum Chapter 3. Geomungo 1. Intro. Geomungo, the Crossing Point of Musical Desire and Realization II. Structure and Basic Technique of the Geomungo III. The Use of Geomungo 1: Functional Application of Open Strings ? Ornamentation and Timbre IV. The Use of Geomungo 2: Technical Use of Tension on Strings ? For Liveliness V. The Use of Geomungo 3: Expansion in Plucking Strings - For Making Diverse Tones VI. Question ? Desire and Challenge Toward the Creation VII. Outro ? An Opening between Desire and Realization Chapter 4. Daegeum Ⅰ. Material Quality and Structure of Taeg?m Ⅱ.Types and pitch register of Taeg?m III. Traditional way of playing and music notation IV. Modern playing and notation methods Appendix 1. Daegeum's harmonics and multiphonics Appendix 2. Table of trills and tremolos used for performance and compositions Chapter 5. Piri I. Fundamental Structure Ⅱ.Types Ⅲ. Embouchure Ⅳ. Fingering and Range V. Playing Techniques Chapter 6. Haegeum I. Introduction to Haegeum II. Understanding the Basics of Haegeum III. Playing Techniques of the Haegeum Chapter 7. Ajaeng Ⅰ. Types of ajaeng Ⅱ. Performance method and notation Ⅲ. Consideration of the unique characteristics of ajaeng Notes on Composing for Traditional Korean Instruments Thoughts on Korean Instruments, from a Western Composer’s Perspective

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